Version:            (using KDE Devel)
Installed from:    Compiled sources
Compiler:          gcc 4 (which I don't use to translate PO files)
OS:                OS X

1.
.po:153
Original:	⌘0	Unknow

+ Unknown


2.
.po:166
Original:	⌘0	Image Informations

- Informations
+ Information

(this is a mass noun: always plural).

Also:

po:167
Original:	⌘0	Photograph Informations

po:176
Original:	⌘0	Global Positioning System Informations

.po:768
Original:	⌘0	<p>\n
<table border=\"0\" cellpadding=\"0\" cellspacing=\"10\" align=\"center\">\n
<tr>\n
<td>\n
<img src=\"hicolor/32x32/apps/digikam.png\">\n
</td>\n
<td>\n
... that you can view the <b>Exif</b>, <b>MakerNotes</b>, and <b>IPTC</b> 
informations of a photo by using its <b>Metadata</b> sidebar tab?\n
</td>\n
</tr>\n
</table>\n
</p>\n

po:823
Original:	⌘0	Photographer Informations

po:851
Original:	⌘0	Embedded Image Informations Management

po:853
Original:	⌘0	Default IPTC identity informations

po:906
Original:	⌘0	<p>Set this option to display image informations when the mouse is moved 
under album items.

po:1112
Original:	⌘0	Use Camera Informations



3.
po:217
Original:	⌘0	<p>If you enable this option, you will see the original image when the mouse 
is over image area, else the target image.

- over image area, else the target image.
+ over the image area; if not, you will see the target image.


4.
Do we need both of these strings? The only difference is the full stop.

po:342
Original:	⌘0	Album name cannot contain '/'.

po:351
Original:	⌘0	Album name cannot contain '/'


5.
po:410
Original:	⌘0	<p>You can control here the search rules list contents, to adding/removing 
an option.

+ Here you can control the contents of the search rules list, by adding/removing options.


6.
po:508
Original:	⌘0	<p>Enter here your search arguments in albums library

+ <p>Here enter arguments for searching in the albums library


7.
po:522
Original:	⌘0	<p>If this option is enable, thumbnails bar will be displayed horizontally 
behind image area. You need to restart showFoto for this option take effect.
<p>

+
<p>If this option is enabled, the thumbnails bar will be displayed horizontally 
behind the image area. You need to restart showFoto for this option to take effect.
<p>


8.
po:554
Original:	⌘0	No yet support for saving non-local files

+ Saving non-local files is not yet supported


9.
po:595
Original:	⌘0	<p>Here you can see the auto-color correction tool preview. You can pick 
color on image to see the color level corresponding on histogram.

- You can pick 
color on image to see the color level corresponding on histogram.
+ When you select a color in the image, you'll see the corresponding color level in a histogram.

Also:

po:655
Original:	⌘0	<p>Here you can see the image brightness-contrast-gamma adjustments preview. 
You can pick color on image to see the color level corresponding on 
histogram.

.po:665
Original:	⌘0	<p>Here you can see the image Hue/Saturation/Lightness adjustments preview. 
You can pick color on image to see the color level corresponding on 
histogram.

po:717
Original:	⌘0	<p>Here you can see the black and white conversion tool preview. You can 
pick color on image to see the color level corresponding on histogram.

po:752
Original:	⌘0	<p>Here you can see the image color-balance adjustments preview. You can 
pick color on image to see the color level corresponding on histogram.


10.
po:599
Original:	⌘0	<img source=\"%1\"> <b>Auto Levels</b>:<p>This option maximizes the tonal 
range in the Red, Green, and Blue channels. It search the image shadow and 
highlight limit values and adjust the Red, Green, and Blue channels to a 
full histogram range.</p>

- It search the image shadow and highlight limit values and adjust 
+ It searches the image-shadow and highlight-limit values and adjusts


11.
po:607
Original:	⌘0	<p>Here you can see the image preview after convert it with a color profile</
p>

- after convert it
+ after converting it


12.
.po:610
Original:	⌘0	<ul><li>Perceptual intent causes the full gamut of the image to be 
compressed or expanded to fill the gamut of the destination device, so that 
gray balance is preserved but colorimetric accuracy may not be preserved.
<br>In other words, if certain colors in an image fall outside of the range 
of colors that the output device can render, the picture intent will cause 
all the colors in the image to be adjusted so that the every color in the 
image falls within the range that can be rendered and so that the 
relationship between colors is preserved as much as possible.<br>This intent 
is most suitable for display of photographs and images, and is the default 
intent.</li><li> Absolute Colorimetric intent causes any colors that fall 
outside the range that the output device can render are adjusted to the 
closest color that can be rendered, while all other colors are left 
unchanged.<br>This intent preserves the white point and is most suitable for 
spot colors (Pantone, TruMatch, logo colors, ...).</li><li>Relative 
Colorimetric intent is defined such that any colors that fall outside the 
range that the output device can render are adjusted to the closest color 
that can be rendered, while all other colors are left unchanged. Proof 
intent does not preserve the white point.</li><li>Saturarion intent 
preserves the saturation of colors in the image at the possible expense of 
hue and lightness.<br>Implementation of this intent remains somewhat 
problematic, and the ICC is still working on methods to achieve the desired 
effects.<br>This intent is most suitable for business graphics such as 
charts, where it is more important that the colors be vivid and contrast 
well with each other rather than a specific color.</li></ul>

- fall outside of the range
+ fall outside the range

- Absolute Colorimetric intent causes any colors that fall 
outside the range that the output device can render are adjusted to
+ Absolute Colorimetric intent causes any colors that fall 
outside the range that the output device can render to be adjusted to

- Saturarion intent 
+ Saturation intent 

- This intent is most suitable for business graphics such as 
charts, where it is more important that the colors be vivid and contrast 
well with each other rather than a specific color.</li></ul>
? The end of this sentence seems to be incomplete.


13.
po:617
Original:	⌘0	<p>You can use this option if you want to embedd into the image the selected 
color profile.</p>

- to embedd into the image the selected color profile.</p>
+ to embed the selected color profile into the image.</p>


14.
po:619
Original:	⌘0	<p>The Black Point Compensation (BPC) feature does work in conjunction with 
relative colorimetric intent. Perceptual intent should make no difference, 
although it affects some profiles.</p><p>The mechanics are simple. BPC does 
scale full image across gray axis in order to accommodate the darkest tone 
origin media can render to darkest tone destination media can render. As a 
such, BPC is primarily targeting CMYK.</p>

- BPC does 
scale full image across gray axis in order to accommodate the darkest tone 
origin media can render to darkest tone destination media can render. 
+ BPC 
scales the full image across the gray axis in order to accommodate the darkest tone 
the origin media can render to the darkest tone the destination media can render. 


15.
po:621
Original:	⌘0	<p>Set here all parameters relevant of Input Color Profiles.</p>

+
<p>Set here all the parameters relevant to Input Color Profiles.</p>

Also:

po:629
Original:	⌘0	<p>Set here all parameters relevant of Workspace Color Profiles.</p>

po:635
Original:	⌘0	<p>Set here all parameters relevant of Display Color Profiles.</p>


16.
.po:648
Original:	⌘0	<p>You don't have enabled Color Management in Digikam preferences.</p>

+
<p>You haven't enabled Color Management in digiKam's preferences.</p>


17.
.po:680
Original:	⌘0	<p>Select here your constrained aspect ratio for cropping. Aspect Ratio Crop 
tool uses a relative ratio. That means it is the same if you use centimeters 
or inches and it doesn't specify the physical size.<p>You can see below a 
correspondence list of traditional photographic paper sizes and aspect ratio 
crop:<p><b>2:3</b>: 10x15cm, 20x30cm, 30x45cm, 3.5x5\", 4x6\", 8x12\", 12x18
\", 16x24\", 20x30\"<p><b>3:4</b>: 6x8cm, 15x20cm, 18x24cm, 30x40cm, 3.75x5
\", 4.5x6\", 6x8\", 7.5x10\", 9x12\"<p><b>4:5</b>: 20x25cm, 40x50cm, 8x10\", 
16x20\"<p><b>5:7</b>: 15x21cm, 30x42cm, 5x7\"<p><b>7:10</b>: 21x30cm, 
42x60cm<p>The <b>Golden Ratio</b> is 1:1.618. A composition following this 
rule is considered visually harmonious but can be unadapted to print on 
standard photographic paper.

- Aspect Ratio Crop tool 
+ The Aspect Ratio Crop tool

- You can see below a correspondence list of traditional photographic paper sizes and aspect ratio crop:
+ Below, you can see below a list of traditional photographic paper sizes and the corresponding aspect ratio crop:

- 10x15cm,
+ 10×15cm,

(I recommend using the correct multiplication sign "×" instead of the lower-case "x", in all these dimensions.)


18.
po:709
Original:	⌘0	<p>Enable this option to flip horizontally guidelines.

- to flip horizontally guidelines
+ to flip guidelines horizontally

Also:

po:711
Original:	⌘0	<p>Enable this option to flip vertically guidelines.


19.
po:723
Original:	⌘0	<img source=\"%1\"> <b>Black & White with Green Filter</b>:<p>Simulate black 
and white film exposure using green filter. This provides an universal asset 
for all scenics, especially suited for portraits photographed against sky.</
p>

- using green filter
+ using a green filter
OR
+ using the green filter

- an universal 
+ a universal

- for all scenics
+ for all scenic shots
OR
+ for all scenes


20.
po:725
Original:	⌘0	<img source=\"%1\"> <b>Black & White with Orange Filter</b>:<p>Simulate 
black and white film exposure using orange filter. This will enhances 
landscapes, marine scenes and aerial photography.</p>

- using orange filter
+ using a orange filter
OR
+ using the orange filter

- This will enhances
+ This will enhance


21.
po:740
Original:	⌘0	<img source=\"%1\"> <b>Black & White with Selenium Tone</b>:<p>This effect 
replicate traditional selenium chemical toning done in the darkroom.</p>

- This effect replicate
+ This effect replicates

Also:

po:742
Original:	⌘0	<img source=\"%1\"> <b>Black & White with Platinum Tone</b>:<p>This effect 
replicate traditional platinum chemical toning done in the darkroom.</p>


22.
Which of these do we want? The second is correct, except it needs a hyphen: red-eye.

po:761
Original:	⌘0	Red Eyes Correction

.po:762
Original:	⌘0	Red Eye Correction


23.
.po:767
Original:	⌘0	<p>\n
<table border=\"0\" cellpadding=\"0\" cellspacing=\"10\" align=\"center\">\n
<tr>\n
<td>\n
<img src=\"hicolor/32x32/apps/digikam.png\">\n
</td>\n
<td>\n
... that you can use nested albums in digiKam.\n
</td>\n
</tr>\n
</table>\n
</p>\n

The other strings of this type are questions. This one is missing the final question mark.


24.
.po:785
Original:	⌘0	<p>Toogle on this option to store image tags into IPTC <i>Keywords</i> tag.

-Toogle on this option to store image tags into an IPTC
+ Toggle this option to store image tags in an IPTC

Also:

po:787
Original:	⌘0	<p>Toogle on this option to store image rating into IPTC <i>Urgency</i> tag.

po:789
Original:	⌘0	<p>Toogle on this option to store default photographer identity into IPTC 
tags. You can set these informations into Identity setup page.

po:791
Original:	⌘0	<p>Toogle on this option to store default credit and copyright identity into 
IPTC tags. You can set these informations into Identity setup page.

The above two strings also have this error:

- You can set these informations into Identity setup page.
+ You can set this information via the identity setup page.

po:794
Original:	⌘0	<p>Toogle on this option to store image comments into JFIF section, Exif 
tag, and IPTC tag.

po:796
Original:	⌘0	<p>Toogle on this option to store image date and time into Exif and IPTC 
tags.

po:809
Original:	⌘0	<p>Toogle in fullScreen mode during Slideshow.

- Toogle in fullScreen mode during Slideshow
+ Toggling fullscreen mode during the slideshow


25.
po:798
Original:	⌘0	<p><b>EXIF</b> is a standard used by most digital cameras today to store 
technicals information about photograph. You can learn more about EXIF at <a 
href='http://www.exif.org'>www.exif.org</a>.</p><p><b>IPTC</b> is an another 
standard used in digital photography to store embeded informations in 
pictures. You can learn more about IPTC at <a href='http://www.iptc.org/
IIM'>www.iptc.org</a>.</p>


- technicals information about photograph.
+ technical information about photographs.

- embeded informations
+ embedded information


26.
po:825
Original:	⌘0	<p>Set here the photographer name. This field is limited to 32 ASCII 
charactors.

- charactors
+ characters

There are several strings with this typo.


27.
po:832
Original:	⌘0	<p>Set here the default original owner indentification of the intellectual 
content of the picture. This could be an agency, a member of an agency or an 
individual photographer name. This field is limited to 32 ASCII charactors.

- indentification
+ identification


28.
po:834
Original:	⌘0	<p>Set here the default copyright notice of the pictures. This field is 
limited to 128 ASCII charactors.

The preceding strings of the same type only refer to one picture.


27.
po:850
Original:	⌘0	Albums Settings

- Albums
+ Album

Also:

po:867
Original:	⌘0	Cameras Settings

- Cameras
+ Camera


28.
po:883
Original:	⌘0	<p>The decoding quality value for RAW images:<p><b>0</b>: medium quality 
(default - for slow computer)<p><b>1</b>: good quality<p><b>2</b>: high 
quality<p><b>3</b>: very high quality (for speed computer)<p>

-  for slow computer
+  for slow computers

- for speed computer
+ for very fast computers


29.
po:885
Original:	⌘0	<p>Toggle bilateral filter to smooth noise while preserving edges. This 
option can be use to reduce low noise. The pictures edges are preserved 
because it is applied in CIELab color space instead of RGB.<p><b>Warnings</
b>:<p>This filter isn't adapted if your RAW picture have been taken using 
hight sensitivity (over 1600 ISO). Its recommended to use the noise 
reduction filter from image editor instead.<p>This filter can take a while. 
Do not use if your computer is slow.<p>This option require dcraw version >= 
0.8.0.<p>

- The pictures edges
+ The picture's edges  (for one picture)
OR
+ The pictures' edges  (for more than one picture)

- in CIELab color space instead of RGB.
+ in CIELab color space instead of in RGB.

- This filter isn't adapted if your RAW picture have been taken using 
hight sensitivity (over 1600 ISO). Its recommended to use the noise 
reduction filter from image editor instead.<p>This filter can take a while. 
Do not use if your computer is slow.<p>This option require dcraw version >= 
0.8.0.<p>
+ This filter isn't appropriate if your RAW picture has been taken using 
high sensitivity (over 1600 ISO). It's recommended to use the noise 
reduction filter from the image editor instead.<p>This filter can take a while. 
Do not use it if your computer is slow.<p>This option requires dcraw version >= 
0.8.0.<p>


30.
.po:894
Original:	⌘0	<p>This option toogle the right way to use ICC color profiles during RAW 
files decoding.<p>If you want to process all the ICC color correction 
outside RAW file decoding, use <b>Disabled</b>. This option is <u>hightly 
recommended</u> to use the fine settings provided by digiKam color 
management workflow.<p>If you want to use the embeded ICC profile includes 
into RAW files (if exists), use <b>Using embeded profile</b>. Warning: with 
this option the ICC color correction processed outside the RAW file decoding 
will be disable! This option require dcraw version >= 0.8.0.<p>If you want 
to use the ICC profiles setttings from ICC color management page, use 
<b>Using digiKam ICC Settings</b>. You need to enable and set the right ICC 
color management for that. This option require dcraw version >= 0.8.0.<p>

- This option toogle
+ This option toggles

- If you want to process all the ICC color correction 
outside RAW file decoding,
+ If you want to process all the ICC color corrections 
outside RAW-file decoding,

- provided by digiKam color management workflow
+ provided by the digiKam color-management workflow

- If you want to use the embeded ICC profile includes 
into RAW files (if exists), use <b>Using embeded profile</b>
+ If you want to use the embedded ICC-profile includes 
in RAW files (if they exist), enable <b>Using embedded profile</b>

- Warning: with 
this option the ICC color correction processed outside the RAW file decoding 
will be disable! This option require dcraw version
+ Warning: with 
this option, the ICC color-correction processed outside RAW-file decoding 
will be disabled! This option requires dcraw version

- If you want 
to use the ICC profiles setttings from ICC color management page, use 
<b>Using digiKam ICC Settings</b>. You need to enable and set the right ICC 
color management for that. This option require dcraw version 
+ If you want 
to use the ICC-profile setttings from the ICC color-management page, choose 
<b>Using digiKam ICC Settings</b>. You need to enable and set the right ICC 
color management for that. This option requires dcraw version 


31.
.po:895
Original:	⌘0	Saving Images Options

+ Image-Saving Options


32.
po:901
Original:	⌘0	<p>Toggle compression for TIFF images.<p>If you enable this option, you can 
reduce the final file size of the TIFF image.</p><p>A lossless compression 
format (Deflate) is used to save the file.<p>

This para shows a combination of XHML para tags and HTML para tags.


33.
po:934
Original:	⌘0	Apply when open an image in Image Editor

- when open
+ when opening

Also:

.po:936
Original:	⌘0	Ask when open an image in Image Editor


34.
po:937
Original:	⌘0	<p>If this option is selected, digiKam asks to the user before it applies 
the Workspace default color profile to an image which has not embedded 
profile or, if the image has an embbeded profile, this is not the same that 
the workspace one.</p>

- digiKam asks to the user before it applies 
the Workspace default color profile to an image which has not embedded 
profile or, if the image has an embbeded profile, this is not the same that 
the workspace one.
+ digiKam asks the user before applying
the Workspace default color profile to an image which doesn't have an embedded 
profile or to an image which has a profile differing from the Workspace one.


35.
po:942
Original:	⌘0	<p>All the images will be converted to the color space of this profile, so 
you must select an apropiate one for edition purpose.</p><p>These color 
profiles are device independents.</p>

- apropiate
+ appropriate

- device independents
+ device-independent


36.
.po:945
Original:	⌘0	<p>You must select the profile for your monitor. You need to toogle on 
<b>Use color managed view</b> option from the Advanced Settings pannel to 
use this profile.</p>

- the profile
+ the appropriate profile

- You need to toogle on 
<b>Use color managed view</b> option from the Advanced Settings pannel to 
use this profile.</p>
+ You need to toggle the <b>Use color-managed view</b> option on the Advanced Settings panel to 
use this profile.</p>


37.
po:946
Original:	⌘0	<p>You can use this button to get more detailled information about the 
selected monitor profile.</p>

- detailled
+ detailed

Also:

po:949
Original:	⌘0	<p>You can use this button to get more detailled information about the 
selected input profile.</p>

po:943
Original:	⌘0	<p>You can use this button to get more detailled information about the 
selected workspace profile.</p>

po:952
Original:	⌘0	<p>You can use this button to get more detailled information about the 
selected soft proof profile.</p>


38.
po:959
Original:	⌘0	<ul><li><p><b>Perceptual intent</b> causes the full gamut of the image to be 
compressed or expanded to fill the gamut of the destination device, so that 
gray balance is preserved but colorimetric accuracy may not be preserved.</
p><p>In other words, if certain colors in an image fall outside of the range 
of colors that the output device can render, the picture intent will cause 
all the colors in the image to be adjusted so that the every color in the 
image falls within the range that can be rendered and so that the 
relationship between colors is preserved as much as possible.</p><p>This 
intent is most suitable for display of photographs and images, and is the 
default intent.</p></li><li><p><b>Absolute Colorimetric intent</b> causes 
any colors that fall outside the range that the output device can render are 
adjusted to the closest color that can be rendered, while all other colors 
are left unchanged.</p><p>This intent preserves the white point and is most 
suitable for spot colors (Pantone, TruMatch, logo colors, ...).</p></
li><li><p><b>Relative Colorimetric intent</b> is defined such that any 
colors that fall outside the range that the output device can render are 
adjusted to the closest color that can be rendered, while all other colors 
are left unchanged. Proof intent does not preserve the white point.</p></
li><li><p><b>Saturarion intent</b> preserves the saturation of colors in the 
image at the possible expense of hue and lightness.</p><p>Implementation of 
this intent remains somewhat problematic, and the ICC is still working on 
methods to achieve the desired effects.</p><p>This intent is most suitable 
for business graphics such as charts, where it is more important that the 
colors be vivid and contrast well with each other rather than a specific 
color.</p></li></ul>

- so that the every color 
+ so that every color 

- causes 
any colors that fall outside the range that the output device can render are 
adjusted to 
+ causes 
any colors that fall outside the range that the output device can render to be 
adjusted to 

- Saturarion intent
+ Saturation intent

- This intent is most suitable 
for business graphics such as charts, where it is more important that the 
colors be vivid and contrast well with each other rather than a specific 
color.</p></li></ul>
Again, this seems unfinished. The comparison is not complete.


39.
po:966
Original:	⌘0	<p>Select here the camera name that you want to use. All default settings on 
the right panel will be set automaticly.</p><p>This list have been generated 
using gphoto2 library installed in your computer.</p>

- automaticly
+ automatically

- This list have been generated using gphoto2 library installed in your computer.
+ This list has been generated using the gphoto2 library installed on your computer.


40.
po:980
Original:	⌘0	<p>To set an <b>Usb Mass Storage</b> camera<br>(which appears like a 
removable drive), please<br>use <a href=\"umscamera\">%1</a> from camera 
list.</p>

-  from camera list.</p>
+  from the camera list.</p>


41.
po:981
Original:	⌘0	<p>To set a <b>Generic PTP Usb Device</b><br>(which use Picture Transfert 
Protocol), please<br>use <a href=\"ptpcamera\">%1</a> from camera list.</p>

- (which use Picture Transfert Protocol)
+ (which uses the Picture Transfer Protocol)

- from camera list.</p>
+ from the camera list.</p>


42.
Do we need both of these? The only difference is the final punctuation.

po:1048
Original:	⌘0	Failed to save file\n
\"%1\"\n
to\n
\"%2\"!

po:1051
Original:	⌘0	Failed to save file\n
\"%1\" to\n
\"%2\".


43.
po:1066
Original:	⌘0	<p>Toogle on this option to use camera provided image filenames without 
modifications.

- Toogle on this option to use camera provided image filenames without 
modifications.
+ Toggle this option to use camera-provided image filenames without 
modification.

Also:

po:1073
Original:	⌘0	<p>Toogle on this option to customize image filenames during download.


44.
po:1098
Original:	⌘0	EXIF rotating file %1...

EXIF is rotating the file?


45.
.po:1099
Original:	⌘0	Setting Metadata tags to file %1...

- to
+ for
OR
+ on


46.
po:1115
Original:	⌘0	<p>Toogle on this option if you want automatically rotated or fliped images 
using EXIF informations provided by camera

+
<p>Toggle this option if you want automatically rotated or flipped images 
using EXIF information provided by the camera


47.
.po:1116
Original:	⌘0	<p>Toogle on this option if you want downloaded photos into automatically 
created date-based sub-albums of destination album

+
<p>Toggle this option if you want photos downloaded into automatically -created date-based sub-albums of the destination album


48.
.po:1121
Original:	⌘0	<p>Toogle on this option to store default photographer identity into IPTC 
tags using main digiKam metadata settings.

- Toogle on this option to store default photographer identity into IPTC 
tags using main digiKam metadata settings.
+ Toggle this option to store the default photographer identity in IPTC 
tags using the main digiKam metadata settings.


49.
po:1122
Original:	⌘0	<p>Toogle on this option to store default credit and copyrigth informations 
into IPTC tags using main digiKam metadata settings.

+
Toggle this option to store default credit and copyright information in IPTC tags using the main digiKam metadata settings.


50.
po:1123
Original:	⌘0	<p>Toogle on this option to set date and time metadata tags to the right 
values if your camera don't set properlly these tags when pictures are taken.

+
Toggle this option to set date and time metadata tags to the right 
values if your camera doesn't set these tags properly when pictures are taken.


51.
po:1133
Original:	⌘0	Disconnecting from camera, please Wait...

- please Wait
+ please wait

________________________

plugins bugs

File: digikamimageplugin_blurfx.po

In several places in this file, you use the word "skake" or "Skake" when I think you mean "shake" or "Shake".

I'm working my way through the plugins and will try to note down further typos.

from Clytie, Vietnamese translator (I've just added the Vietnamese translation for digiKam and a few plugins)